Confessions of a Former Worship Leader

What is our worship music really pointing to?

Growing up as the oldest son of a pastor, as well as a trained musician, the use of music as an expression of worship has been an integral piece of my church experience. I can vividly remember, as an eager fifth-grader, my excitement and anticipation over the opportunity to play bass guitar in a worship band for the first time. From that point on, as I became competent on instruments such as guitar and piano, my life would become dominated by musical, corporate worship. Whether it was at summer youth camps, university chapel services, informal gatherings around a campfire or meetings at newly planted churches, I happily assumed the title of “worship leader.”

For many years I felt no need to carefully examine how I approached corporate worship in the church. After all, I loved playing music, I seemed to be an effective leader and I was happily giving my talents back to God. However, I eventually realized it was not that simple.

As a freshman at a Christian university, I spent the majority of that first year “church shopping.” I quickly became enamored with one of the church communities near my university campus; its seeker-sensitive approach, flashy light shows and blaring music created an exciting change of pace for a straight-laced pastor’s kid. The worship leader this particular morning nailed the Christian rock-star image: good looks, styled hair, faded jeans and an expensive acoustic guitar. About halfway through the second song, I noticed an unused microphone, which was set-up at approximately his waist level. “What purpose could that serve?” I wondered in a quick moment of curiosity, and then I quickly raised my hands and lost myself in the tunes. The sound was mixed wonderfully, the vocals were outstanding and the set of music was carefully constructed to serve as a powerful crescendo to the last song: “Hungry” by Kathryn Scott. As the leader belted out the final refrain—I’m falling on my knees, offering all of me—he acted on his words and literally fell to his knees. It was at this point that the aforementioned unused microphone came into play. It was preemptively placed at the perfect height and angle so the leader would be able to sing while on his knees without stopping his guitar-playing.
 
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